If you’re Yann Martel and you wrote Life of Pi, you can get a three million dollar book deal for your next novel.
31 July 2009
29 July 2009
28 July 2009
Infinite Jest Update
As I mentioned earlier this summer, I’m participating in Infinite Summer, the sort of online reading group for David Foster Wallace’s Infinite Jest. I was beyond excited to see this project because I’ve attempted the 1079 page book multiple times without success.
To recap, the idea is to read the novel between late June and late September, averaging 75 pages a week. I thought, no problem. I wanted to finish early since I know I’ll have my hands full with this upcoming life change. But now I’m somewhere around 150 pages behind their schedule. I’m enjoying the book, but I tend to miss a day here and there and get behind. Now it’s hard to read because I can’t find a comfortable position and propping up a large, heavy book only aggravates that. I realize it’s not the worst thing to struggle to keep up with a reading schedule, but I wanted to read the blog updates that correspond with the pages and now I have to resist my temptation to check the website.
27 July 2009
24 July 2009
23 July 2009
Cadences of Scripture
Read this lovely excerpt from Caroline Langston’s blog post over at Image:
What struck me then was something that I had forgotten in 13 years of being Orthodox, that the steady cadences of memorized Scripture could function, in a Protestant context, similarly to the mystical prayers in Orthodoxy (themselves drawn from Scripture). The reason that I had so wanted my son to attend was that I wanted him to be haunted by Scripture too, so that when he least expected it, the memorized verses could rise to his consciousness, indelible.
And perhaps startle him with their beauty.
I also find it interesting to catch even just the slightest glimpse of a life that crosses the denominational boundaries. She’s Orthodox, her husband’s Catholic, and they took their son to a Methodist VBS. I don’t think we can erase the reasons for divisions within Christianity, but it’s nice to see that there must be fundamental similarities, that when it comes down to the core beliefs, Christians on all ends of the spectrum can find unity.
22 July 2009
8 July 2009
Eugenides Adaptations and the Coppolas
The Millions writes about an upcoming HBO series based on Jeffrey Eugendies’ Middlesex. Oh, that makes me nervous. I love, love, love Middlesex and would hate to see it ruined. Although, I don’t have cable, let alone HBO, so maybe I’ll never know.
Thursday night I watched The Virgin Suicides for the first time. I thought it was a decent adaptation of the book and it seemed to capture beauty in its own way. Some novels feature technical aspects that can’t and shouldn’t translate on screen, so it’s nice to see a movie preserve what it can and take advantage of film’s techniques.
In this article about Sofia Coppola, there is a great description of what she does versus what her father does. If you could apply either description to a book, story, or film, I’ll probably like it.
“Where her father’s great themes — the struggles of Man and Patriarchies in the Modern World — are vast and epic, Sofia’s themes, like the happenstance encounters and quiet epiphanies that can haunt the rest of your life, are more intimate, if no less profound. She doesn’t sweep across history or build to dramatic climaxes like her father but rather has her camera search out meaning in small details. She writes scripts that establish, sustain and then gently shift tone and atmosphere — not Tolstoy but Chekhov. Her films are sophisticated and plangently romantic, and the emotions she stirs up linger.”

Miranda July: Film vs. Fiction
One of my favorite films is Me and You and Everyone We Know. Naturally, when Miranda July’s collection of short stories came out a few years ago, I got my hands on a copy as soon as I could. However, the stories in No One Belongs Here More Than You disappointed my expectations. I suppose I could see how they could come from the same mind as the one who made the film, but somehow I did not like them yet loved the film.
When Me and You and Everyone We Know came out, I was in the middle of writing my honors thesis and I remember thinking that July had captured with that film almost exactly what I wanted to with my thesis (a collection of short stories). It’s hard for me to describe where I was in life when the film came out and what it meant to me at the time. So it was not just a regular disappointment when her fiction did not live up to my hope. Then it was strange to see so many people praise the collection. There are parts of it that I thought were interesting and maybe a story or two I liked, sort of, but not in any way that I could understand the literary world’s praise.
But now, in a blog post on Bookslut, Nina MacLaughlin ruminates on the collection and Madeleine L’Engle. And finally someone else articulates what I couldn’t place, so I feel justified and understood, like, ah ha, I’m not the lone person who really wanted to like this collection but just did not. I like the weird in Miranda July’s work, I like it when she pushes the edge of normal and comfortable, but I don’t like the line she crosses in her fiction.